Sunday, June 12, 2005

McGowan: Out with a bang

John McGowan has finished his guest-blogging for Michael Bérubé with a wonderful three-part series on "The Republican Assault on Democracy." Don't miss it.

The official Bush Administration line in foreign policy is the promotion of democracy. Yet the Republicans have launched a full-scale assault upon democracy at home. Setting aside (for the moment) the simple fact that this assault is about grabbing and using power, it also reflects an impoverished view of democracy, basically one that limits democracy to free elections. In this view, the people ratify a set of leaders—a government—in an election, and, in so doing, gives those leaders a blank check. If the government uses the power given to it unwisely, the people can vote it out next time around. Power rests solely in the hands of the people and in its delegated agent, the government.

This understanding of democracy tends toward the plebiscite—and toward the establishment of a strong leader, usually one who promises to sweep aside the complexities, compromises, frustrations, and inefficiencies introduced by parliamentary janglings and an independent judiciary. From Napoleon III and Bismarck in the 19th century to the Governator in the late 20th century, the plebiscite has almost always favored right wing leaders impatient with legal and institutional impediments to forceful action. In other words, the plebiscite is perfect for establishing the tyranny of the majority that Tocqueville and Mill feared.

more . . .


Part 2

Part 3

Saturday, June 11, 2005

Friday, June 10, 2005

Sticking it to the (camera)man

"It's sold as a must-have accessory to give urban SUVs a whiff of the outback. But U.K. officials say drivers who use spray-on mud to avoid identification by police speed cams face hefty fines for obscuring their license plates."

Do note that the company that makes Sprayonmud does not condone the illegal use of its product.

Apologies

The Wachovia apology and its aftermath is laden with ironies. In order to qualify to lend financial support to an affordable housing project up north, a southern bank founded after the Civil War is required to own up to having benefited from its predecessor banks' profits in slavery. Since it failed to the first time around (and it must be sorry for that too now), it may be out of the deal. Surely, though, there's no real surprise in this scenario. Writes Gary Ashwill for the Durham-based Institute for Southern Studies:

One striking element of this story is how it keeps coming back to capitalism’s cannibalistic lineages: few current firms dabbled in slavery themselves, but many have at one time or another swallowed older companies that had swallowed still older companies that may have held slaves or owned slave ships or accepted slaves as collateral or whatever. Slavery is indelibly imprinted on the DNA of western capital, which tells you something about the historical processes that led to the hegemony of the U.S. and western Europe.


In other words, everything is related. Let's take a look at the affordable housing need that generated the redevelopment project that Charlotte-based Wachovia got involved in that triggered the Chicago ordinance that required the disclosure of the long-ago involvement in slavery.

It's in the North Kenwood-Oakland neighborhood, a once affluent area with classic inner-city problems:

During the first wave of the Great Migration between 1916 and 1920 many African Americans settled in Oakland. During the 1930s Oakland experienced its greatest diversity, with a mixture of African Americans, Germans, Jews, English, Irish, Canadians, and Japanese. Racial tensions escalated as the African American population increased. Some white residents resorted to violence and restrictive covenants to prevent blacks from moving into Oakland, but such efforts proved unsuccessful, and by 1950 Oakland was 77 percent African American.

In the 1970s, Oakland experienced a declining economic base. Public housing projects such as Ida B. Wells, once the pride of the community, became crime-infested. The former Oakland Theatre located in the heart of Oakland near 39th and Cottage Grove became the headquarters of the notorious El Rukn street gang. The city of Chicago demolished dilapidated buildings, and vacant lots were left scattered throughout the community. Oakland's average income fell below the poverty level as middle-class residents moved further south.


In the 1990s the neighborhood struggled to pull itself back together. Meanwhile by 1999, as part of a campaign launched by Mayor Daley to address Cabrini Green-type problems, the Chicago Housing Authority had demolished all but two of its high-rise apartment buildings along the lakefront in North Kenwood-Oakland.* "Today," says the CHA web site, "this neighborhood is experiencing redevelopment resurgence, with the CHA’s former Lakefront property positioned as the leader in this redevelopment movement." The relocation of hundreds thousands of dislocated residents has not gone smoothly; but we are assured that "The CHA has worked diligently with local neighborhood organizations to ensure that the design of the new Lakefront site would correspond with the aesthetics of the surrounding neighborhood."

North Kenwood-Oakland is just north of the prestigious Hyde Park neighborhood. Pressure on housing prices now is tremendous. "The lure . . . for developers is certainly understandable. Land is still available and affordable. . . . The neighborhoods are within walking distance of the lakefront, the most sought-after amenity in Chicago."

The project that the Wachovia Affordable Housing Community Development Corporation is involved in is a $9 million project to create 162 affordable housing units spread in a number of buildings throughout Kenwood and Oakland. Wachovia is the "tax syndicator" in the provision of 10 years' worth of tax credits, a service another bank could provide if it loses the right to participate.

Chicago's ordinance, enacted in 2003, aims "to promote full and accurate disclosure to the public about any slavery policies sold by any companies, or profits from slavery by other industries (or their predecessors) who are doing business with the city." Like similar ordinances in Philadelphia, Richmond, and Los Angeles--like one proposed this term, apparently unsuccessfully, for the state of North Carolina--it raises the issue of reparations.

Reparations for slavery is something that strikes me as morally just (as Eric Muller argues) but practically and politically fraught. On the other hand, as Gary Ashwill rightly points out, it ought not be that hard to atone for more recent wrongs. But that, too, turns out to be a lot to ask. Writes Ashwill,

[W]hat about the long post-slavery era of oppression under Jim Crow? That happened within living memory, and certainly involved economic exploitation along with infringement of political rights. The moment for slave reparations may have passed when Reconstruction died; but we're still barely 40 years past the Civil Rights Act, 50 years past Brown v. Board of Education. There's plenty of ongoing, present-day economic hardship, among communities and individuals that can be traced directly, unproblematically, and (pretty much) uncontroversially, to legal segregation of all sorts. But I suppose reparations for Jim Crow would be tantamount to reviving the Great Society (itself a sort of social reparations project), which ain't happening anytime soon.


Not much to add to that but a couple of footnotes. The first is about a word. According to a history of GIS mapping, "redlining" was born this way:

Searching through archives and old cartography publications, Cloud found several overlay maps from the 1930s and 1940s. They were, he says, "the most complex and accomplished uses of overlays yet found." One set, prepared by federal officials during the New Deal, depicted American cities and showed, with different translucent layers, data about problems such as high concentrations of decrepit buildings. Later maps, concealed for many years from public view, carried fateful red lines that enclosed blocks occupied mainly "by any distinct racial, national, or income group that would be considered an undesirable element if introduced into other parts of the city," in the words of a 1936 document cited by Cloud. Thus was born the term "redlining" (say, charging residents of targeted areas more for loans or insurance).


The second is a story told by Alice Walker ("Beyond the Peacock," 1975). At a reading of her work, someone let her know that Walker's childhood home was just down the highway from Flannnery O'Connor's. This was news. She later came to love O'Connor's writing, and she remembered a particular field she used to pass and admire, but she didn't know they were connected. She took her mother on a trip to Georgia to revisit the place where they lived and to visit the O'Connor site.

The house they had lived in was a sharecropper tenement. They walk past "posted" signs to find that the house is still there, at least half of it is: two of the four rooms had disintegrated and are put to use as barns. Then they go to Andalusia, as the O'Connor home is called. No one lives there, but the house has a caretaker. Walker approaches and knocks.

What I feel at the moment of knocking is fury that someone is paid to take care of her house, though no one lives in it, and that her house still, in fact, stands, while mine--which of course we never owned anyway--is slowly rotting into dust. Her house becomes--in an instant--the symbol of my own disinheritance, and for that instant I hate her guts. All that she has meant to me is diminished, though her diminishment within me is against my will. . . .

Standing there knocking on Flannery O'Connor's door, I do not think of her illness, her magnificent work in spite of it; I think: it all comes back to houses. To how people live. There are rich people who own houses to live in and poor people who do not. And this is wrong. Literary separatism, fashionable now among blacks as it has always been among whites, is easier to practice than to change a fact like this. I think: I would level this country with the sweep of my hand, if I could.


Apologize for slavery? Sure. No problem. We are all very, very sorry.

*"The 1990s saw both continuity and change for black Chicagoans. Racial issues still flared, with several cases of police brutality toward African Americans, controversy over inequitable promotions for African American police officers, and allegations of racial profiling in the affluent suburb of Highland Park. Mayor Richard M. Daley attempted to remedy the problems created by the housing projects built by his father in the 1960s with a $1.5 billion plan to remove the city's 51 high-rise projects and replace them with 'mixed income' housing. This policy, implemented in the opening years of the twenty-first century, has evoked a mixed reaction from community activists, who have argued that mixed income is but a 'euphemism for removal of the poor.'" --"African Americans," Encyclopedia of Chicago

Thursday, June 09, 2005

Developing a vision for downtown: beyond nostalgia

Last week the Chapel Hill Town Council committee on our downtown economic development initiative, which I'm on, met with our consultant John Stainback to recommend the developer we want to negotiate with. Although the selection will not be official until the full council takes a vote on it, the five council members on the committee who attended the meeting all voted for Ram Development Co., so it's a safe bet that that it'll get the nod.

This project is the realization of many years of collective thinking about the shape and form of downtown Chapel Hill. The scale of what we are planning is huge, and so the stakes are high. We have to get it right. We now have a developer (most likely), but many details remain to be worked out.

I'm on record as being something of a broken record: the architecture needs to be distinctive, and the public spaces need to work. I don't think we're there yet. I look forward to additional discussions with the Ram team about the architecture, the public space, the public art.

Both bidders brought us what I called "an architecture of nostalgia." Where I'm coming from is a persistent criticism of one aspect of New Urbanism: not the promotion of urban (more to the point, pre-suburban) styles of development per se, but the insistence that the new look like the old. The lack of originality, the lack of authenticity. The failure of imagination. The building of a row of structures all at once but making them look like they were built at different times. The fake bricking-in of Palladian windows that never existed--and other false creations of the impression of age. (Over at the American Tobacco Project, which authentically is the old made new, they've imported new "old" billboards!) What I mean is well stated in a recent article in Metropolis magazine:

Honestly the New Urbanists--the Duanys, the Plater-Zyberks, the Calthorpes--make good places. I can't fault their planning skills, but there is something about their need to use the past as a sort of architectural tranquilizer that gives me the willies. I see it as a form of cultural brainwashing, a strategy that doesn't solve the problems we've created so much as teaches us to forget them.


The architects on the Ram team include a representative from the famed DPZ firm, designers of Seaside and authors of Suburban Nation. The principles of compact urban design serve important goals for community-making and the environment. But there is no reason why the architecture itself has to look like the past. DPZ has shown that it can break out of this mold: see Prospect, Colorado. We need to challenge the Ram team create great places and spaces for Chapel Hill that respond creatively to our present and look daringly to our future.
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David Sedaris, distracted

Cross words in the air on the way to Raleigh.

Wednesday, June 08, 2005

A certain slant of light in the Piazza

Interesting discussion at Broadwayworld.com on whether "Light in the Piazza" is a musical or "a play with music." The answer seems to be yes, it is a musical, though perhaps a "chamber musical." There is some suggestion of a gap between the songs and the story--which could explain why it won so many Tonys but not "best musical." In addition, the question is raised whether a "musical," to fit the bill, has to be a musical comedy, preferably with dancing.

Adam Guettel's concern from the beginning (we've heard) was that the production would be a bit too precious, refined, subtle, or something to make it on Broadway. That's why he went on the regional circuit first--to test it, to build it up. It was a good move.

Reviewing the Chicago production for the New Yorker last year, John Lahr practically dared Broadway to take it on: "'The Light in the Piazza' doesn’t want to make theatregoers feel good; it wants to make them feel deeply. This it does, and that is why, despite the show’s quality, I suspect that the swamis of the rialto will pass on bringing it to Broadway. Still, Guettel’s kind of talent cannot be denied. He shouldn’t change for Broadway; Broadway, if it is to survive as a creative theatrical force, should change for him."

Happy birthday, Frank Lloyd Wright

google wright

Frank Lloyd Wright was born June 8, 1867, but he lied about the year, advancing it by two. Writes Ada Louise Huxtable, "it had the desired effect--it made a case for a precocious talent with an impressively youthful, early success in Chicago in the 1890s, and it kept him shy of the dreaded 90-mark during his brilliant late work in the 1950s." But "it annoyed his sister Jane all during her lifetime, since it was her birth year that Wright usurped." There's also evidence of a changed middle name--from Lincoln to Lloyd, to honor his Welsh ancestors. Happy birthday Mr. Wright, architect and performance artist.

Zoo story: opening tomorrow

An open letter about a disturbing exhibit in a German zoo, June 9-July 12:

May 30, 2005
STOP the exhibition of AFRICANS in the Augsburg ZOO
Send your protest letters to the adresses listed below!

From: Norbert Finzsch

I am a German scholar of African American History and member of H-Net Afro-Am.

Today I would like to direct your attention to something that is going on in Germany which, in my opinion, requires the consideration of the international scholarly community.

It is with utmost indignation that the African German community has taken notice of the plans to open an "African Village" within the zoo of Augsburg, Germany. The opening of this exhibit is scheduled for July 9 - July 12. 2005.

"Artisans, silversmiths, basket makers and traditional hairdressers are situated in an unique African steppe landscape" according to the leaflets handed out by the organizers of the show. The conveners obviously are oblivious of the fact that exhibits like the one planned in Augsburg are organized within the German tradition of racist "ethnographic shows" (Völkerschauen).

more . . .

Subscribers to the Afro-Am list (including me) at first thought this had to be an urban legend. And then one writes: "When hundreds of thousands may have died in Darfur and millions are at risk; when 10,000,000 Africans have died as the result of the diamond wars in just four countries (Angola, Congo, Liberia, Sierra Leone) in the past ten years; when the ecological deterioration of the island of Hispaniola has caused first Haitians, and now Dominicans to drown trying to get to anyplace where they can work or eat: why is our priority of the day this clown show in Germany?"

To which the editor responds, "Rather than see these as alternative issues, maybe we can reflect on all of this as part of the new 'zeitgeist.'"

Szygenda: Ross Perot's clean-up guy (Detroit's another story)

One of the big awards at the Computerworld ceremony on Monday night--the Information Leadership Award--went to Ralph Szygenda of General Motors. An impressive video showed how, under his IT leadership, the corporation has made dramatic improvements in the smart and efficient use of automated systems.

Now, I was working for EDS when it was bought by GM to do precisely that. I only stuck around long enough to see the Corvettes arriving in the corporate parking garage. What happened next evidently wasn't what was hoped for. Here's what Szygenda says in his oral history (.pdf):

[GM] also had an interesting history in information technology, where the company had acquired EDS Corporation. It had a history that was sordid at times with issues between boards of directors and Ross Perot. All of a sudden EDS was splitting off from General Motors and now the company had no information technology expertise at all. It's the world's largest company, and it's recovering from almost going bankrupt. So now they are looking for a CIO--and they never had one at the company before. In 1996, there was no one leading information technology, which is almost amazing when you think about it.


So he goes for an interview. He finds out how bad the mess with EDS is, and suddenly it becomes an opportunity.

And how interesting it was to think about the transition with EDS, a major provider of technology. In fact, while EDS was a part of GM, all the GM folks were transferred to EDS, so there was hardly anyone in GM working in IT left. So I had the opportunity to take a clean sheet of paper and create how you implement technology at the world's largest corporation. That's pretty special!


He took the challenge and managed to turn the auto company whose IT expenses were the highest percentage of sales cost into the one where they were the lowest.

It's a success story, but it does have a context. No one mentioned what was to be this morning's headline: the layoff of 25,000 GM employees, nor was it pointed out that the company just experienced its worst financial reporting period in 13 years.

For a big-picture view (including dramatic demolition photos), see "The Fabulous Ruins of Detroit" (via wood s lot).
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Tuesday, June 07, 2005

Heroes all

Although Paul is still my hero, ibiblio was an also-ran in last night's Computerworld honors. The winner in his category--education and academia--was the Australian Government, Department of Defence for its Defence Online Campus. Another UNC project, Gary Marchionini's Open Video Digital Library, was a finalist in the arts, media and entertainment category. That one lost out to Turner Broadcasting.

building museum
Looking up in the National Bulding Museum before night and the weather set in.

The gala event was an excuse for many speeches, the best of which was by Dan Morrow. Morrow was retiring after having founded the honors program. He accepted a medallion just like the laureates get, which he said he would never wear because his grandfather had taught him not to wear another man's medals. Morrow is a historian (also a former WCHL radio announcer) who prides himself on having launched this project to preserve and archive the technology revolution.

Reporters from Kid Witness News, Brooklyn PS 41, were on hand to interview Paul and other honorees.

kidwitness
Kid Witness News staff wraps up with honoree Matthew Szulik, CEO of Red Hat.

paul & gary
Paul Jones and Gary Marchionini, fine finalists.

Monday, June 06, 2005

Sunday, June 05, 2005

The fickle finger of Tony

It's hard to imagine how "Light in the Piazza" could win five six Tonys, including best original score and best musical actress, and not win best musical. I'm also amazed that Kathleen Turner in "Who's Afraid of Virginia Woolf?" didn't win best actress though her partner, Bill Irwin, won best actor. But mostly, I'm thrilled that I was able to see both shows, and I'm really thrilled for our friend Elizabeth Spencer.

Saturday, June 04, 2005

Quiz time

Michael Froomkin thinks this test is meaningless, but I'm not so sure. How I did:

You scored as a Cultural Creative.

Cultural creatives are probably the newest group to enter this realm. You are a modern thinker who tends to shy away from organized religion but still feels as if there is something greater than ourselves. You are very spiritual, even if you are not religious. Life has a meaning outside of the rational.

Cultural Creative 100%

Postmodernist 88%

Existentialist 69%

Romanticist 56%

Idealist 50%

Modernist 50%

Materialist 25%

Fundamentalist 13%

Your turn!

Friday, June 03, 2005

"When tomorrow is today"

Fast cars, fashion, fun, and the future! Don't miss (via The Real Paul Jones) the best Manhattan dream sequence since Mickey's trip to the Night Kitchen. Oh wait, it's a lot earlier (1956).

I'm still waiting for that killer kitchen.

The state's response in anti-cohabitaiton suit

Atty. Gen. Roy Cooper calls the ACLU's challenge to North Carolina's law against cohabitation "baseless." It's a criminal statute, he points out, and there is no criminal charge threatened in this case. True enough: the case is a constitutional challenge coming out of an incident in which a woman who lives with her boyfriend was compelled to quit her job. Her boss told her that if she didn't go looking elsewhere she ought to get married or move out of her boyfriend's house.

Her (now former) boss is a county sheriff. No threat of criminal enforcement? Evidently not: he says it's a law he doesn't enforce. It's more of a "moral" issue with him; he prefers not to employ pathetic reprobates people who flout this law.

So it's a 200-year-old law that's rarely and unevenly enforced,* it's on dubious ground since Lawrence v. Texas, and it touches the lives of some 144,000 North Carolina couples. Doesn't seem like a baseless claim to me.

* According to one report, a federal magistrate judge in Charlotte "regularly asks defendants whether their living arrangements violate the cohabitation ban. [The judge] has refused to release violators unless they promise to comply."

But "no immediate plans" to cut the sodas

No more free pretzels on Northwest Airlines. As Kottke says, "They'll save 10s of dollars!"

Thursday, June 02, 2005

Music to remember Watergate by

Sounds of Steely Dan: "Rare, live, and unreleased" in MP3 format including early demos. (More about the Marian McPartland show featured--it's available on CD.)

Steely Dan timeline and expanded history from their official web site.

Wednesday, June 01, 2005

Reconstructing history: Emmett Till exhumed today

Today's the day. Emmett Till's casket was removed from its grave on the outskirts of Chicago in order for the body to be autopsied. I noted the recovery of the long-missing trial transcript, but it took a columnist for the Anniston, Ala., Star, Bruce Lowry, to pick up on a particularly nice detail. The way that Steve Whitaker, who wrote his master's thesis on the Till murder many years ago, got his hands on a copy of a transcript (later destroyed by water damage) was by plying a defense attorney with liquor:

“Mr. Whitaker says he obtained his copy of the transcript, a thick sheaf of onionskin with a binder clip, from the lead defense lawyer, J.J. Breland, after interviewing him for hours over a fifth of Jack Daniels.”


Lowry's take is right--this (the fact of it and the Times reporter's narrative excess) is Faulknerian. "This is the sort of mythic tale-telling that still fascinates the rest of the country with the South, that still yells out for the rest of the world to want to come and look into our closets and attics and dust away our cobwebs to see what else Faulkner and Tennessee Williams and Eudora Welty and Walker Percy and Harper Lee and Flannery O’Connor forgot to tell them about us."

Even today, even voiced by someone like Lowry, who favors getting to the truth of this matter "because it is the right thing to do," in the South there is no small amount of defensiveness over race. "[H]ow many Emmett Tills," Lowry asks, "will we have to dig up before the story concludes? Will we ever find an end to it, find peace?"

Southern defensiveness is a powerful thing. It colored all historical memory since the Civil War, especially that of Reconstruction. At a conference here last fall, historian Thomas Holt put it squarely before us that what passed for civil rights legislation in the 1950s was woefully lacking on enforcement because of the dominant memory of Reconstruction. The "pervasive image of injustice done to southern whites" during that awful time resulted, almost 100 years later, in laws that had no teeth. Only now, as part of an ongoing reevaluation of southern history and memory, are we able to see the contours of what was really attempted with a little more objectivity. (Jim Leloudis' telling of the Reconstruction history of UNC is useful in this regard.)

Recently Ed Ayers has gone so far as to suggest that Reconstruction, when viewed not through Scarlett O'Hara's eyes but as "America's first attempt to transform a defeated society through a sustained military occupation," has useful lessons for our involvement in Iraq. I guess it's never too late to learn.

UPDATE: on the Afro-Am listserv there's a discussion about why the FBI didn't more aggressively get involved in the Till murder. The toothless civil rights legislation of the 1950s may have been part of the problem.

Bad timing

From the police blotter in today's Chapel Hill News:

A Chapel Hill police officer working plainclothes security in A Southern Season sees a man take away a wine bottle wrapped in an Independent Weekly. The officer asks to see a receipt. The man says wait, let me call my wife on her cell phone, she has it, she's still here shopping. Ten minutes later, here she comes with said receipt. But then, a shopping bag is found near check-out containing the same kind of wine, sans receipt. The officer now notes that the receipt's time-stamp is a bit later than the time it was when he'd stopped the husband.

How technology rules our lives! Just when it almost saves us, it foils us again.